Veteran Grandmotherly Actress Frances Bay Dies at 92

Frances Bay, most broadly known on her behalf little old lady roles in David Lynch’s films, Happy Gilmore, and numerous TV episodes, died Friday Bay dies at 92 veteran character actress at 92. She didn’t are available in films until 1978’s Foul Play costarring Chevrolet Chase and Goldie Hawn, but she’s an very memorable actress with great charisma. Recently she made guest appears to be quiet Aunt Ginny on ABC’s The Middle. Let’s watch Ben Stiller terrorize her following a jump. Frances Bay dies at 92 veteran character actress [LA Occasions]

Crazy Horse: Film Review

The very first scene in Frederick Wiseman's very first documentary, 39 films and 44 years ago, focused on a song-and-dance number being performed on a cabaret-sized stage. Granted, the entertainers were male inmates at the Bridgewater State Hospital for the criminal insane in Massachusetts, the subjects of the shattering and depressing Titicut Follies. Much of the running time of Crazy Horse is spent watching performers cavort on a small stage as well, but this time they are the virtually naked young women with perfect bodies who star in the most celebrated and venerable exotic dance club in the world, the eponymous club at 12, Avenue George V in Paris.our editor recommendsMartin Scorseses George Harrison Doc, Frederick Wisemans 'Crazy Horse' to Run in San SebastianRelated Topics•Toronto International Fil... On can scarcely blame the great veteran filmmaker for being tempted by a better looking cast and more congenial location at this stage in his career, as he's certainly earned it. Much as he did in his two previous dance films, Ballet and La danse-Le ballet de l'Opera de Paris, Wiseman has perceptively revealed the process and the result of an intricate group artistic enterprise. Already shown at festivals in Telluride, Venice and Toronto and upcoming in San Sebastian, NY, London and elsewhere, the film opens throughout France on Oct. 5 to coincide with the 60th anniversary of the boite. There are many things Wiseman's film is not: Eschewing, as usual for him, any voice-over or historical information, it offers no background about the launching of "Le Crazy" in 1951 or its colorful founder and longtime operator Alain Bernardin, nor are there clips of what the shows were like in the old days. There is no information about what has taken place since the Bernardin family sold its stake in the enterprise in 2005, which leaves one guessing about the existing power structure, how long the people onscreen have been there and what the pecking order is. There's no backstory at all, which proves frustrating when the dynamics of running the club and creative control are at issue, which is often. Most disappointingly, the dancers never get their close-ups; whether by choice or by some enforced arrangement, Wiseman doesn't approach the gorgeous women to give them the chance to tell their side of what it's like to work at the Crazy Horse, if this is something they dreamed about, how it effects the rest of their lives, how people perceive them and so on. We observe the technical, operational and artistic sides of what goes into putting on this particular show, but never from the performers' point of view. What Wiseman seizes, however, is the opportunity to create an impressionistic portrait of a highly rarified realm, a tiny sanctuary from real life where the refined expression of sensuality, eroticism and, as per the name of the new show the film documents, desire is the be-all and end-all. Beautifully wrought images capture the dancing, the costumes, the simple but elegant and settings and, of course, the exquisitely shaped girls, very often enhanced by striking and sophisticated lighting techniques and backed by generally catchy songs and techno rhythms. One could simply experience the film as a warm, gentle, seductive shower of similar but ever-changing images and be happy with that. But the film is divided up between the presentation of finished numbers and the demonstration of what it takes to get there, from the selection of costumes and the brushing of wigs to the taking of reservations and the setting out of champagne on each table. We see rehearsals, in which we learn, among other things, that the girls don't much like touching one another during the numbers. Then there are the artistic strategy sessions, in which the choreographer, identified only as Philippe in conversation (but who is, in fact, Philippe Decoufle, a highly respected dancer and choreographer hired in 2008 and assigned to stage the new "Desirs" show, which opened on Sept. 21, 2009) tries to convince his bosses that they should shut down for a while to give him time to exclusively work out the fresh production. It doesn't seem that he succeeded, but it's never entirely clear. Artistic director Ali Mahdavi (similarly unidentified) goes on and on philosophizing in a very French and almost amusing way about the philosophical and emotional aspects of female erotic dance. There's a wonderful throwaway sequence in which the girls, backstage, watch hilarious bloopers from Russian ballet performances showing great dancers staggering around and unintentionally sliding offstage. In an absorbing audition interlude, the film ironically offers more individualization of contenders than it ever does of those already in the company. The ideal Crazy body is easy to describe: Uniform height, nice legs, protruding roundish derriere, smallish breasts and trim physique. The tryouts make it clear that overly vulgar or rock-style dancing is out-of-place here, as would be the more obvious and voluptuous bodies of strippers. Reportedly, most of the dancers at the club these days are from Russia and Eastern Europe but, since they're allowed scarcely a word, it's a rumor the film does not verify. If you're not taken with, or have some objection to, watching beautiful girls dancing in their birthday suits, this could be a long sit, more than it already is at 128 minutes. But even brief exposure to the artistic impulse and visual creativity behind the numbers here confirms the appeal the Crazy Horse has for both men and women, something underscored by the predominance of couples in the audience. Both the film and what is captures are striking and true, which means Wiseman has traveled both very far and not at all from Titicut Follies. Production: Zipporah Films Sales: Celluloid Dreams Director: Frederick Wiseman Producers: Frederick Wiseman, Pierre Olivier Bardet Director of photography: John Davey Editor: Frederick Wiseman 128 minutes Toronto International Film Festival International

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Rupert Murdoch and News Corp. Target of Fresh Attacks From Investors and Congress

Some investors and congressional Dems took their campaign against News Corp. up a notch.our editor recommendsJames Murdoch Remembered to Parliament for additional Phone-Hacking Questions Rupert Murdoch, James Murdoch To Manage Questioning Under Oath In Phone-Hacking Judicial InquiryRupert Murdoch Ally L'ensemble des Hinton Resigns as Boss of News Corp.'s Dow Johnson Unit Among Phone Hacking Scandal On Tuesday, two pension funds along with a bank that own shares from the media conglomerate added more charges to some previous suit that alleges mismanagement and corruption at the organization. Tuesday's inclusions in the initial suit, first filed in March, accuses News Corp. board people Rupert and James Murdoch, in addition to Chase Carey yet others, of neglecting to correct illegal conduct that battered the business's status and stock cost. Past the hacking scandal, the amended suit accuses News Corp. of anti-competitive behavior at U.S. subsidiaries News America Marketing and NDS Group which has already led to nearly $1 billion in damages. Within the original complaint, News Corp. was charged with nepotism in the $615 million purchase of Shine Group that allegedly led to a $250 million windfall for Elizabeth Murdoch, Rupert's daughter. "The facts surrounding News Corp.'s corporate governance lapses worsen with each new disclosure," stated Grant & Eisenhofer partner Jay Eisenhofer. "Actually, our new complaint implies that the illicit phone hacking and subsequent cover-ups at News around the globe were a part of a significantly larger, historic pattern of corruption at News Corp. underneath the acquiescence of the board which was fully conscious of the wrongdoing, otherwise directly complicit within the actions." The new accusations in the pension funds and bank came a next day of several Democratic people of the home Oversight and Government Reform Committee became a member of an early on two people in with research into, amongst other things, whether News Corp. compromised the voicemails of 9/11 terror sufferers. Politico reported Monday that Repetition. Bruce Braley, D-Iowa, authored another letter to committee chairman Repetition. Darrell Issa, R- Calif., which was cosigned by six House people, whereas his previous letters were co-signed just by one member. "We now have just observed the tenth anniversary from the Sept. eleventh attacks on our nation which sufferers should know whether or not they were specific within this offesive and potentially illegal manner," the letter stated. A spokesperson for Issa accused the Dems of attempting to divert attention from their mandate, that is oversight of the us government, including labor force guidelines, the Postal Service and expenditure of cash. "This is an additional whiny admission through the minority of the ineffective method of oversight that's focused on impeding current research than you are on utilizing their assets to discover waste and abuse in government," Issa's spokesperson told Politico. Related Subjects Rupert Murdoch News Corp. Chase Carey News around the globe James Murdoch

Sean Parker Declines Facebook Publish Was a panic attack on Jobs

Sean Parker is denying that the publish on his Facebook page was intended being an attack on Jobs, who introduced his resignation as Apple Boss on Wednesday.our editor recommendsApple Co-Founder Steve Wozniak: Jobs Resignation Wont Affect 'Quality of Company (Video)Apple Investors Reject Proposal to show Jobs Succession PlanApple's Jobs Uncovers Advanced New Headquarters Design (Photo)Apple Shares Fall Among Boss Steve Jobs' Medical Leave Parker, who founded Napster and offered as Facebook's leader, has become a trader and board member at Spotify, a web-based music service that's within the same space as Apple's iTunes. STORY: Apple Stock Dips, Company Manages to lose $5.5 Billion Morning After Jobs Boss Resignation On Thursday, he cited German philosopher Arthur Schopenhauer on Facebook: "We are able to arrived at look upon the deaths in our opponents with just as much regret once we sense of individuals in our buddies, namely, whenever we miss their existence as witnesses to the success." Many writers assumed Parker was mentioning to Jobs. And Parker on Thursday accepted to Gawker he is at fact mentioning to Jobs, although not within the negative method in which lots of people were presuming. STORY: Analyst: Jobs' Boss Departure May Have 'No Impact' on Apple "You're totally misunderstanding the intent behind my publish," he stated. "It had been in mention of the Jobs, however it would be a gesture of respect for any worthy foe. Who remains left to challenge us and inspire us when our most effective opponents move ahead?Inch Parker was lately described within the Facebook movie The Social Networking like a partier and playboy who assisted push co-founder Eduardo Saverin from the organization. Parker has stated the film is "an entire work of fiction." STORY: Apple Boss Steve Jobs' Resignation Puts Spotlight on Normally Secretive Tim Prepare Meanwhile, Jobs told Apple's board and staffers inside a letter Wednesday he likely to remain on as chairman from the board. Jobs continues to be fighting a potentially existence-threatening illness off and on for quite some time, though he earned no reference to his health in the resignation letter. Apple COO Tim Prepare will replace him as Boss. Related Subjects Jobs Apple Facebook The Social Networking Sean Parker Spotify

Adrienne Gary joins Miramax

Miramax has appointed strategic human capital expert Adrienne Gary as senior VP, organizational strategy and administration, effective immediately. Gary will report directly to Miramax CFO Steve Schoch and work closely with CEO Mike Lang and will be responsible for all recruiting, organizational structure, global HR and corporate administration. Prior to Miramax, Gary ran her own capital consulting group and spent seven years as exec VP of Fox Networks Group. Exec also spent more than twenty years at Warner Bros. Filmed Entertainment, most recently as senior VP, worldwide human resources. ''She brings extraordinary experience and a track record of working in first-class, global media and entertainment companies - like Fox, where we worked together for several years,'' Lang said in a statement. Contact Rachel Abrams at Rachel.Abrams@variety.com

Johnny Knoxville On For Scout Comedy

Patton Oswalt co-starring.... To check out them, you will possibly not believe that Johnny Knoxville and Patton Oswalt could be siblings. But that is precisely what author/director Todd Rohal is wishing you'll buy, as he's cast these phones play warring brothers and sisters in the new, presently untitled scout comedy. Knoxville, still most widely known for that madcap antics from the Jackass crew and Oswalt, last observed in The Informant! and shortly to appear in Jason Reitman's Youthful Adult, will have siblings forever competing for that attention of the father. When poor old pop begins to obtain sick, pressure becomes much more intense because the two males compete to determine who could possibly be the best leader once they have a troop of boys on the camping expedition. Naturally, everything goes comically awry. And they are only some of the ones aboard, as Take advantage of Riggle, Maura Tierney and Patrice O'Neal will also be signing onto co-star. Rohal authored the script and initially known as it Scout Master. There is no word on which it'll eventually become named, however it begins shooting now.

Eric Stonestreet, HBO Team for Fatty Arbuckle Telefilm

Eric McCandless/ABCEric Stonestreet Modern Family star Eric Stonestreet is channeling his inner Fizbo the Clown for HBO. The actor is attached to star in The Day the Laughter Stopped, a telefilm in development at HBO Films revolving around silent film star Fatty Arbuckle. John Adams writer Kirk Ellis is on board to pen the project, with Barry Levinson on board to direct the telepic based on the book by David A. Yallop. Arbuckle (1887-1933) was a silent film star, comedian, director and screenwriter who mentored Charile Chaplin and discovered Buster Keaton and Bob Hope. The popular comedian also had his troubles: in 1921 Arbuckle was accused of raping and accidentally killing actress Virginia Rappe and was tried for her death three times. Though he was acquitted, the scandal plagued his career and worked sparingly in the 1920s. The HBO telepic would span his rise to fame and subsequent fall. "In addition to the fact that I'm from Kansas and he's from Kansas, I just always found it to be such a fascinating and tragic story," Stonestreet told Vulture. "He went from this jolly person who fell down and entertained people into a sexual deviant. It's a true story people don't know about, with a twist." Ellis, Levinson, Stonestreet, Ron West, Chris Henze, Christine Vachon and Steve Kavovit are on board as executive producers. Email: Lesley.Goldberg@thr.com; Twitter: @Snoodit RELATED: Julianne Moore Eyes HBO Period Drama 'Dope' Eric Stonestreet Modern Family HBO Films